Friday, 20 October 2006

'Elders'


No idea why this guy has the name 'Elders'. Any suggestions? I had a few ideologically-unsound ideas but held myself back ... JUST.

There is something about his pouting receptive butt that has my undivided attention. Are you with me here, or flat-lining erotically?

He arrestingly reaches a climax of expectation in the second photograph. With his eyes closed and head tilted back, I kinda imagine he might be thinking about what's cumming. It's thickness. And the number of inches ... or centimetres, if he wants prolong and savour his (or is it my?) fantasy.


And I am responding BIG BIG TIME to that dark hairy crack. And his contrasting pale creamy flesh, and the pink edges of the soles of his feet. He's pretty cute too. So what's not to like?

Thursday, 19 October 2006

Blond Hottie

I've tried to pick another guy to post that wasn't necessarily a great 'beauty', but that was erotically and sizzlingly on fire (for me, at least!). I think these criteria are worked out in this bloke.

So firm fleshy and creamy you wanna eat him. Well, ... .

Wednesday, 18 October 2006

Jan Krasny - A Fox

This (maybe blond-ish?) guy is not beautiful in any classic sense - but he's real foxy and fuckably hot (well, for at least me!). And he seems to think it's all a bit of a laugh - so the sex could be fun as well.

What do you reckon?






You can practically smell his furry legs and his sweaty feet. And taste his musky butt. And, if you are sensitive to the natural world, the sweet scent of summer-dried hay in the field too. Or, then again, maybe your mind is on other things!

The pics are so upclose-and-intimate, you feel as though you are just right there and ready to go for it. No doubt about what would be going through your mind just as you were about to fuck him.

Monday, 16 October 2006

Jinko - Silk Screen Prints

I have been very drawn to a series of silk screen prints by Jinko.

My first reactions to his silk screen prints were really responses to the photographs which they drew on and which I already knew - I liked the originals cos they were of guys I find really hot hot hot. Then I realized I also liked these prints themselves - liked them for something going on in the art work itself, beyond just reminding of the referents. To investigate this, I hunted down some of the original porn pictures to compare with their silk screens.




I realized that sometimes the beauty of the formal ideas of the composition of a photo (the way the photographer set up the pose of the subject to balance out forms, etc) can be lost in what is being represented - a sexy bod! And I began to think about how Jinko had brought these formal design aspects back into focus in his prints, without loosing their hot representations. And had used these techniques to bring (erotic) things to the work that weren't in the original photos.

One way he does this by reducing the modeling, which gives the impression of masses and volumes, light and shade, and so on. Where there is grading in the photo (for example, shadows becoming darker as they move out of the light), now there are simple flat-ish shapes of colour in the print. In the second photo for instance, the graded modeling round the left shoulder (white on the high mid point of the muscle down to to brown at the outside edge of the shoulder) is reduced to the simple flat overall pink shape in the print.

Then I started to think about this in more detail.

For example, in the first work below, the gray and the pale cream areas on the right arm still represent the real world entities of shadow and bright-lit high muscle surface but they now achieve the status of independent coloured shapes that can be arranged on the surface of the two dimensional picture. These shapes can then balanced out against other forms and colours, such as, for example, the solid black shape of the hair (no variations in colour now for the 'highlights' of the photo) and the gray of the shadow under the jaw.

Again, the lines that represent shadows around the masses of pecs and abs now have a purely formal function is the design of the two dimensional surface of the print.

Finally, the head of the cock in the second photo is two dimensional and not colour-distinguished from the shaft, but is so differentiated in the screen print - as dark pink. The end of the dick is now a separate element in the design. This change adds to the eroticism of the work - focuses something we (I) think about more than a little.

There are other ways in which there is a move away from simple representation for artistic and erotic purposes.

The various shadows around the butt in the second photo (dark in the crack but paler under the buns) are simplfied into just one gray shape in the print, with only one dark area in the print, the pubic hair, for emphasis. A dark crack is a hot turn on for me - this is obviously an individual artistic choice!.

A few more Jinko prints to look at:







Friday, 13 October 2006

David Vance - Photographer

These black and white and sepia photographs come from David Vance.

All the photographs have the sense of being studies in form, as opposed to being being 'naturalistic', and this is part of their meaning. This approach is clearly signalled in first photograph, which has the etiology and reference in the following C19 oil painting and van Glodden silver gelatin photograph:













So, the first Vance group is what could be called a reflective 'studio' set, beautiful in their flowing interlocking sculptural forms, particularly in the second photo, where the eye follows the left leg done to the foot and then back into and along the right thigh:





And then a more active set (that makes me feel less than athletic!!!) - muscles taught in a frozen act of motion, rather than the movement itself:



And to finish, an outdoor group, a number of which could have wandered off a large commissioned sculptural group:






Wednesday, 11 October 2006

A Part of Our Bods that Dare Not Be Directly Considered

I've been poised on the edge of doing his post for some time.

It focusses on a part of our bods (or more accurately of his bod) that we all are totally totally obsessed with. But that we have extraordinary reservations considering directly. Now guys, don't pretend this reserve is just mine!

After all, where are you most crazy to put ya cock? Not between his toes. Or in his ear. Or up his nose. Maybe in his mouth. But the jackpot answer is of course IN HIS BUTT HOLE. Cos it fits so fucking well. Proof = photo below. I reckon the hole was made for cocks and, only as an after-thought, for shitting.

Remember the first time you had the itch to go down on and eat one? Scary but hard to resist. Which happily leads on to the next question: Do you like it to taste soapy/just washed or have a musky man smell?

Now if this is all a bit much, it's really ok to go onto the next blog you usually check out. ........

So if you are still here, let's go over some of the dimensions of this fabulous organ (if an orifice can be an organ). It has such amazing variety.

It can be hairy or 'brazilian'


Wrinkled or smooth:


Some actually hang (inviting) open (though this can be an acquired taste):

Some people get this effect with a bit of assistance:

Some hide modestly deep in their cracks, while others are proudly and shockingly out there:


There are those that look pretty (is this an oximoron?) and those that look 'filthy' (but magnetically hot/irristable/fuck-me-now):


To finish, a few other assorted hot holes, along with their guys:






So guys, have courage - embrace the hole, don't be ashamed of it. After all, it's the gateway to paradise!